Original picture before being print.

The first person that talked to me about resins coat on inkjet print on drawing paper was Marco Tardito (whom I also made an interview).
In the past I also tried myself printing on watercolor paper with my Epson 2100, but the results were terribly disappointing. Colors are completely wrong because [...]

It is possible to combine cyanotype with Van Dyke Brown to obtain dual tone prints with blue shadows and brown highlights.

Print black and white negatives on traditional darkroom color paper to obtain monochromatic photography.

History, description and technical introduction to the carbon transfer, one of the best traditional photographic printing technique.

Catadioptric photos of the Pont Neuf “Demons” printed with traditional carbon transfer on Fabriano fine art watercolor paper.

Searching for a cyanotype black toning, to intensify blue dmax and obtain an almost neutral print.

Two bath Cyanotype toning with ammonia and tanning agent to obtain an infinity variety of cyanotype dualtones.

A printing frame is an essential tool the have a perfect contact between paper and negatives printing historical processes.

Air bubbles during the developing phase of bichromate gum result in dark stain on the print.

Use a threading bar to quickly and evenly size paper sheets for historical processes.

The addition of tartaric acid in VDB solutions reduce the quantity of precipitate.

Preparation of classical VDB solution and modified (without precipitate) VDB solution.

Dupont 4-R intensify shadows and reduce high densities to correct exceptionally contrasted analogical negatives.

Influence of basicity on the color of Cyanotype: the results using cheap and slightly basic paper are visually superior.

A special tea toned posterized cyanotype print.