Category Archives: Darkroom - Page 1 of 3
Resin coateded inkjet prints on artistic paper
Original picture before being print. The first person that talked to me about resins coat on inkjet print on drawing paper was Marco Tardito (whom I also made an interview). In the past I also tried myself printing on watercolor paper with my Epson 2100, but the results were terribly disappointing. Colors are completely wrong [...]
Van Dyke Brown on cyanotype
It is possible to combine cyanotype with Van Dyke Brown to obtain dual tone prints with blue shadows and brown highlights.
Monochromatic pictures on darkroom color paper
Print black and white negatives on traditional darkroom color paper to obtain monochromatic photography.
Carbon print
History, description and technical introduction to the carbon transfer, one of the best traditional photographic printing technique.
The photographs “Demons”, technical notes
Catadioptric photos of the Pont Neuf "Demons" printed with traditional carbon transfer on Fabriano fine art watercolor paper.
Searching for a cyanotype black toning
Searching for a cyanotype black toning, to intensify blue dmax and obtain an almost neutral print.
Ammonia in cyanotype tonings
Two bath Cyanotype toning with ammonia and tanning agent to obtain an infinity variety of cyanotype dualtones.
Missed contact between negative and support
A printing frame is an essential tool the have a perfect contact between paper and negatives printing historical processes.
